Inspired by the choreography, music, and lighting sequences, NOVAK created a series of visually striking animated backdrops that seamlessly merged animation, motion graphics, and film elements. Working closely with filmmaker Mark Huskisson, the team integrated cinematic footage of Yorkshire’s landscapes with stylized, abstract visuals that echoed the rhythm and motion of the illuminated cyclists. Initially, the production took place at NOVAK’s studio in Newcastle upon Tyne, where the team developed the visuals in collaboration with key creatives—including NVA’s creative director Angus Farquhar, lighting designer Phil Supple, and choreographers Sharon Watson and Charis Charles from Phoenix Dance Theatre. In the week leading up to the performance, NOVAK relocated to Leeds, working on-site with the full creative team to fine-tune the visual elements and ensure a flawless integration of choreography, lighting, and music. The final performances—staged over two sold-out nights in May 2014 at Wades Yard, Leeds—drew mesmerized crowds, receiving a rapturous response. With Ghost Peloton, NOVAK delivered not only a visually stunning backdrop but also a seamless fusion of creative production and technical delivery, reinforcing the project’s ambitious vision and cementing its place as an unforgettable moment in the intersection of sport, art, and technology.