NOVAK’s approach to TECTONIC was deeply rooted in the architectural nuances of Doncaster Minster. By mapping projections onto its upper interior, the installation brought new life to the space, revealing hidden patterns and structures through shifting visuals and evolving light formations. The projections seamlessly augmented the existing design, creating an ever-changing visual narrative that responded to the grandeur of the Minster’s architecture. Ed Carter’s accompanying soundscape was composed in direct response to the visuals, using layered textures and rhythmic variations to heighten the immersive effect. The interplay of sound and imagery allowed audiences to experience the Minster in an entirely new way—one that blended history with contemporary digital artistry, reinforcing the dynamic relationship between space, light, and sound. TECTONIC stood as a testament to the power of digital projection and sound design to transform historic spaces, offering a fresh and mesmerizing perspective on one of Doncaster’s most iconic landmarks.